04 — Peter och Stenen

04 —
Peter och Stenen

Storytelling and illustrations for a children’s book.

Peter is a cave painting who begins losing control over his legs due to a hernia in his neck. After being anaesthetized at the doctor’s office, he wakes up inside his own body — now imagined as a vast cave — where he embarks on a surreal journey to find the “stone” that has stolen his legs.

I developed both the narrative and illustrations, focusing on emotional depth and symbolic visuals to engage young readers.

Read or download the book: click here

04-01

Children’s book cover and visual direction developed as part of the storytelling and illustration project.

04-02

01 — Cover and visual introduction

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02 — Peter falls asleep before the operation

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03 — Entering the cave-like world inside the body

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04 — The stone that has stolen Peter’s legs

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05 — A surreal return and reunion

03 — Digital View

03 —
Digital View

A digital rear-view system developed to help Scania secure a major fleet contract.

Scania aimed to integrate digital rear-view mirrors into its trucks while keeping the familiar mounting positions of the traditional glass mirrors. I designed a solution that retained the existing mounting positions and brackets, creating a digital mirror that could be introduced without major structural changes to the vehicle.

The concept was also driven by the experience of the driver. Conventional digital camera systems can make it harder to judge the width of the truck. By positioning the digital mirror in a familiar location, the concept maintained a more intuitive spatial reference and was received very positively by drivers.

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Keeping the familiar reference

The key challenge was not simply replacing the mirror with a camera. The position of the driver's visual reference was equally important. Keeping the digital mirror close to the conventional mirror location helped preserve the feeling of the truck's width while introducing the benefits of a digital system.

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From concept to retrofit

Design development focused on making the solution feel integrated rather than added on. Retaining the existing bracket architecture simplified the transition from conventional mirrors and reduced the need for major structural intervention.

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05 — Modular Protected Cab

05 —
Modular Protected Cab

A protected crew environment integrated into an existing Scania platform, balancing protection, modularity and a distinct Scandinavian design language.

Developed within Scania’s modular vehicle architecture, the project explores how a protected cab can be integrated into an existing heavy-duty truck while maintaining functionality, ergonomics and Scania’s visual identity.

One of the main challenges was working around an existing chassis and vehicle architecture, finding new solutions without compromising established interfaces and the mechanical package.

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Designing within the existing architecture

The challenge was to create a new protected environment while staying closely integrated with the existing truck. I worked across exterior and interior design, CAD, component development and physical prototyping, using full-scale mock-ups and sheet-metal parts to test proportions, interfaces, ergonomics and manufacturing solutions.

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From camouflage to design language

The Swedish M90 camouflage pattern became an important visual inspiration, translating its characteristic geometry and rhythm into the surfaces and details of the cab. As a conceptual element, I also explored a dove as a symbol of peace — a subtle contrast to the military context, intended to give the vehicle a more human and meaningful identity.

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A rugged but coherent system

The result combines protection, modularity and durability with a distinctly Scandinavian design language, while remaining closely integrated with the existing Scania platform.

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06 — Fly-out Kicker Ramp

06 —
Fly-out Kicker Ramp

A simple, portable and foldable ramp for skateboards, BMX and scooters.

Fly-Out is designed around simplicity, durability and repairability. A limited number of components and straightforward connections make the product easy to assemble, maintain and repair.

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07 — Adult toy car

07 —
Adult toy car

Adult toy car explores the idea that cars can be toys for adults.

I wanted to explore a car inspired by the simplicity and character of classic wooden toys, using a deliberately reduced body shape and a playful, almost primitive visual language.

I also wanted to give the car a slightly prohibited-design look — something a little rebellious and not entirely approved. The contrast between the familiar toy and that darker, slightly illicit character became an important part of the design.

07-01

Inspiration from the classic wooden toy car and the idea of the car as a toy for adults.

07-02

Animation study exploring the playful proportions and slightly prohibited character of the Adult toy car.

Toys for adults

The project plays with the idea that the car is one of the most accepted toys for adults, exaggerating that relationship through a simple toy-like form and a deliberately provocative visual character.

08 — MNRLS

08 —
MNRLS

Designed for the outdoor furniture brand Designated Home, MNRLS (Minerals) is a collection of Corten steel products intended to harmonize with natural landscapes

I focused on creating forms that age gracefully, using the material’s weathered finish to allow the furniture to blend into its surroundings.

The collection explores how the character of Corten steel can become part of the product itself, allowing the objects to change with time and sit naturally within outdoor environments.

08-01

Early exploration of the MNRLS form language and its perforated surface.

08-02

Refining the sculptural lighting form and the relationship between enclosure and light.

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A landscape study showing how the Corten object becomes part of its surroundings.

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A close view of the weathered steel surface and cut-out pattern.

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Material and product exploration showing how the collection can extend across different outdoor objects.

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A collection study exploring the relationship between planters, structure and the shared MNRLS language.

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Firelight brings out the warmth, texture and perforations of the weathered steel.

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A night study showing the object acting as a glowing sculptural element.

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Exploring heat, light and the protective Corten enclosure.

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The MNRLS collection in context, connecting the product language with the outdoor landscape.

A material that ages with the landscape

The project uses Corten steel not only for its durability but for its ability to develop a changing, weathered surface. The intention was to create forms that become more integrated with their surroundings over time.

09 — Entertainment Systems

09 —
Entertainment Systems

Low-Tech Artifacts is a satirical art project questioning consumer society.

Strategic marketing and engineering are used to create new needs, while consumer electronics and appliances are discarded as quickly as they are updated. Low-Tech Artifacts reacts to this cycle of planned obsolescence by proposing products intended to last rather than be replaced.

The products are deliberately honest about their purpose. They can function as monuments to the products we have discarded, objects that can be passed on to future consumer-free generations, or simply be looked at and listened to.

Consume carefully. Interested in learning more or buying? Click here.

09-01

Totally disconnected

A communication piece presenting the idea of products that remain connected only to the user, not to networks or ecosystems.

09-02

Back to your livingroom space

A visual concept showing the entertainment system as a familiar presence in the living room rather than a disposable connected device.

09-03

Liljevalchs exhibition

Exhibition documentation showing the Low-Tech Artifacts ideas presented as physical objects and a critical statement about consumer culture.

09-04

Silence amplifier

Silence amplifier — a sculptural audio object developed as part of the project’s deliberately long-lasting entertainment systems.

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Prototype documentation exploring the physical construction, material expression and details of the system.

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Workshop documentation showing hands-on development and making of the product.

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A product and interior study exploring the relationship between the system, the room and the user.

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White marble packaging

White marble packaging study exploring a more permanent, architectural presentation for consumer electronics.

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Eternal entertainment installation

Exhibition installation showing the entertainment system presented as a physical, enduring object.

10 — Scania AXL

10 —
Scania AXL

An autonomous mining vehicle concept developed around a familiar Scania visual identity.

The proposal focused on autonomous driving while deliberately reusing as many proven elements as possible from current Scania vehicles. I explored how the grille, headlamps, bumper and other familiar components could be carried into an autonomous vehicle to create a reliable, recognisable and trustworthy feeling rather than making the machine look completely unfamiliar.

The base ideas developed in this proposal were later used in the development of the Scania AXL autonomous mining vehicle.

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Autonomous vehicle research and concept development presented during the project.

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Front-end exploration combining familiar Scania design cues with autonomous driving technology.

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Compact autonomous transport studies exploring proportions, visibility and a clear functional identity.

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Development work exploring how an autonomous vehicle could evolve from established Scania architecture.

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Final AXL autonomous mining vehicle direction, carrying the proposal into a dedicated mining application.

Selected

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01 — Sound of Silence